[Artist Name] [EP Title]

[Artist Name] performing live on stage in front of a crowd

01 new ep · out now

Afrobeats, highlife guitar and Lagos club percussion — five tracks recorded between [City] and [City].

Listen on Spotify Upcoming shows

Replace the Spotify link with your real artist URL — right now it points nowhere.

02 the ep

Listen to [EP Title]

Five tracks. Written over [number] months, mostly late at night, mostly on a laptop with one good microphone and a borrowed talking drum. Pick whichever service you already pay for — the music is the same everywhere.

  1. 01[Track title][3:42]
  2. 02[Track title][4:05]
  3. 03[Track title][3:18]
  4. 04[Track title][5:11]
  5. 05[Track title][4:27]
Crowd with hands raised at a night show
03 [Venue name], [City] — [Month Year]
Close-up of a condenser microphone in a recording studio
[Track title] — first vocal take
Percussionist playing a drum during a live performance
Talking drum session, [City]
Producer working at a studio desk with headphones
Mixing [EP Title]
DJ working turntables in warm club lighting
After-party set, [Venue name]

04 about

Who is [Artist Name]

I make afrobeats that keeps one foot in the club and one foot in the church. The drums come from Lagos — talking drum, shekere, a kick that hits like a door slamming. The melodies come from highlife guitar lines my [family member] used to play on a cassette deck in the car.

The [EP Title] EP is the first time I've put all of that in one place. It was recorded across [number] sessions in [City] and [City], with [collaborator name] on percussion and [collaborator name] engineering. Everything you hear is played — no sample packs, no loops off a shelf.

Live, the songs get longer. I bring a five-piece band, we stretch the intros, and the last track usually turns into something that isn't on the record at all. If you've seen it happen, you know.

Based in
[City, Country]
Genre
Afrobeats · highlife · alté
Live band
5 pieces — drums, bass, guitar, keys, percussion
Booking
[booking email]

05 live

Upcoming shows

Doors usually open an hour before. Come early — the support acts are worth it.

  • [DD MMM] [Venue name] [City, Country] Tickets
  • [DD MMM] [Venue name] [City, Country] Tickets
  • [DD MMM] [Venue name] [City, Country] Tickets
  • [DD MMM] [Venue name] [City, Country] Tickets

Send me your real dates and venues and I'll drop them straight in — or delete rows you don't need.

06 questions

Things people ask before the show

Short answers to the messages that land in my inbox most often. If yours isn't here, the form at the bottom goes straight to me.

Where can I listen to the EP?

Everywhere you'd expect — Spotify, Apple Music, YouTube and Bandcamp. The links are in the listen section above. Bandcamp is the one to use if you'd rather own the files outright; the money goes further there than it does on the streaming services.

Do you play with a live band or to a track?

Live band, five pieces: drums, bass, guitar, keys and percussion. Nothing is played off a backing track. The arrangements stretch out compared to the record — intros get longer, the last track usually turns into a jam that isn't on the EP at all.

How do I book you for a show or a festival?

Use the contact form and pick "Booking a show". Include the date, the city, the venue and the set length you have in mind — with those four things I can usually give you a yes or a no the same week. For anything more than a month out, the earlier the better: touring logistics take time.

Can I use your music in a video, podcast or film?

For personal, non-monetised videos — go ahead, just credit [Artist Name] and the track title in the description. For anything commercial, brand work, ads or a film release, send me the details through the form and we'll sort out a licence. Don't just upload it and hope.

Do you take features, remixes or production work?

Sometimes, yes. Send a link to the track and a short note about what you're hearing for it — a private link is fine, a finished demo is better. I read everything, but I only say yes to a handful a year, so don't take silence personally.

These are written as editable starting points — swap in the answers that are actually true for you, or tell me and I'll rewrite them.

07 contact

Bookings & press

For shows, features, remixes and interviews. Tell me the date and the city and I'll come back to you.